Rediscovering Interpol's 2002 debut, Turn on the Bright Lights, is a stark reminder of the band's disappointing trajectory over the past 10 years. Interpol started out as one of the more unique bands to come out of the Y2K post-punk revival. Unlike the affected Strokes or the glossed-up Killers, these four thin Manhattanites took a sober, workmanlike approach to rock, pairing their black-and-crimson business-casual attire with churning guitars, surreal lyricism, and bleak urban imagery.
Yet as soon as Interpol met stardom, they slowly, almost methodically, trailed off into hookless mediocrity, first with the uneven Antics and then with the B-side depositories that were Our Love to Admire and. The roiling pathos that seemed to drive the band has long dissipated, leaving behind little more than an empty pastiche of INC vests, shiny aviators, and decorative holsters. Yet despite the slow fade, Turn on the Bright Lights continues to evoke the once-invigorating aspects of Interpol's darkly stylish sound. The band's winning formula was pairing Joy Division's gothic, staccato-laced melodies with elements all their own: Carlos D's elastic basslines; vocalist Paul Banks's deadpan, near-sarcastic diary of lonerism; and a good dose of chasmal reverb that looms large like the gray skyscrapers of their native New York.
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Interpol Turn On The Bright Lights Lyrics
Imagery of the Big Apple riddles Interpol's work, with the cynical conclusions of songs like “NYC” (“The subway, she is a porno/The pavements, they are a mess”) and “Obstacle 2” (“I'll stand by all this drinking if it helps me through these days”) reflecting the city's post-9/11 haze of uncertainty. The band's peeling guitar lines—a sound so expressive and sonorous that younger acts like the xx have incorporated it into their very own identities with little, if any, modification—adds to the grim sensuality. Interpol's strengths are crystallized in the slithery, double entendre-stuffed missive “Stella Was a Diver and She Was Always Down,” where the band's smoky, colorless urban purgatory becomes fully inhabitable, resulting in what is the most nuanced, resonant, and accomplished six minutes of their entire catalogue.
At the center of it all is another one of Banks's manic-depressive muses, a woman who intrigues just as much as she disturbs. “She knows there's people watching,” he sings. “The building fronts are just fronts to hide the people watching her.” In addition to the now-remastered original album, the new 10th anniversary edition of Turn on the Bright Lights includes a disc's worth of rough cuts and unreleased material. Donate Slant is reaching more readers than ever before, but advertising revenue across the Internet is falling fast, hitting independently owned and operated publications like ours the hardest. We’ve watched many of our fellow media sites fall by the way side in recent years, but we’re determined to stick around.
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Turn On The Bright Lights 1-1 3:57 1-2 4:12 1-3 4:19 1-4 5:00 1-5 4:28 1-6 3:06 1-7 3:47 1-8 6:28 1-9 3:36 1-10 6:07 1-11 4:00 Interpol 1998-2001 2-1 1:01 2-2 6:40 2-3 4:44 2-4 3:44 2-5 3:47 2-6 5:33 2-7 4:43 2-8 5:47 2-9 4:13 2-10 6:40 2-11 4:27 2-12 4:27 2-13 6:49 2-14 3:54 2-15 3:10 2-16 5:59 2-17 4:17 DVD: Interpol 2000-2003 Live NYC NY 5.20.00 DVD-1 DVD-2 DVD-3 Live LA CA 9.19.02 DVD-4 DVD-5 DVD-6 DVD-7 DVD-8 Music Videos DVD-9 Film Director Directed By –, DVD-10 Film Director Directed By – DVD-11 Film Director Directed By –.
Stella Was a Diver and She Was Always Down Live NYC NY 5 2000 - (live), 2. Precipitate Live NYC NY 5 20 00 - (live), 3. Get the Girls/Song 5 Live NYC NY 5 20 00 - (live), 4.
Untitled Live LA CA 9 19 02 - (live), 5. Obstacle 1 Live LA CA 9 19 02 - (live), 6. Precipitate Live LA CA 9 19 02 - (live), 7.
Roland Live LA CA 9 19 02 - (live), 8. Stella Was a Diver and She Was Always Down Live LA CA 9 19 02 - (live), 9. NYC Music Video, 10. PDA Music Video, 11. Obstacle 1 Music Video.
It’s hard to believe that 10 years have passed since the release of Interpol’s Turn on the Bright Lights, an album which at first seemed just a member of the pack of rock revivalists but which in time has become seen as a classic of the era. The songs have been cleaned a bit, with the vocals more clearly coming through the deep drive of songs like “PDA,” for instance. This release is also a chance to pick it up on vinyl, if you’re so inclined to have it (I know I am!). A second disc includes “Specialist,” a B-side strong enough to have made the album, plus demos versions of songs from the first and second Interpol albums and one that previously went unreleased songs as well.
A DVD includes Interpol’s early music videos and live cuts from the early ’00s. Brian G., Hollywood.